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wndClass.cbWndExtra = 8; As discussed back in 2, this statement means that every instance of the window class will contain eight extra bytes, or two 32-bit values. An application can use these values to store information about an instance of the window class. These extra words are accessed using GetWindowLong and SetWindowLong. Instead of using one of the predefined indices in Table 11.4, the application references a particular 32-bit value by its zero-based offset. Since the number of bytes defined by cbWndExtra must be a multiple of four, and each extra word is 4 bytes, the index of the first word is 0, the second is 4, and so on. For example, to access the second of these extra window words, an application would do this: DWORD dwVal; dwVal = GetWindowLong(hwndControl, 4); The custom button control implementation uses the two extra words it defines to keep information about the state of each instance of the control class. CONTROL.H defines the following two indices: #define GWL_BUTTONINVERT #define GWL_BUTTONFONT 0 4

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The longest match rule is implemented because the longer the mask found, the better granularity the router has in exactly defining the correct route.

A-posteriori error estimate for utL,{,, details of the reentrant corner (zoom = 70)

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The key word in this passage is consciousness. For ancient philosophers, there was only one world, the real physical world with which we are in direct touch, though the Platonists added the transcendental world of the Forms, but it, too, was external to us. But the concept of secondary sense properties created a New World, the inner world of consciousness, populated by mental objects ideas possessing sensory properties not found in objects themselves. In this new representational view of cognition the Way of Ideas we perceive objects not directly but indirectly via representations ideas found in consciousness. Some secondary properties correspond to physical features objects actually possess. For example, color corresponds to different wavelengths of light to which retinal receptors respond. That color is not a primary property, however, is demonstrated by the existence of colorblind individuals, whose color perception is limited or absent. Objects are not colored, only ideas are colored. Other secondary properties, such as being beautiful or good, are even more troublesome, because they seem to correspond to no physical facts but appear to reside only in consciousness. Our modern opinion that beauty and goodness are subjective judgments informed by cultural norms is one consequence of the transformation of experience wrought by the Scienti c Revolution. Cartesian Dualism and the Veil of Ideas For psychology, the most important modern thinker was Ren Descartes (1596 1650), who created an in uential framework for thinking about cognition that was fundamental to the history of psychology for the next 350 years. Descartes dualism of body and soul is well known, but it also included the new scienti c distinction of physical and mental worlds. Descartes assumed living bodies were complex machines no different from the world-machine. Animals lacked

In this section we do a PCA of the eight pronoun rate variables computed earlier in this chapter, and then perform clustering using two of the PCs. These results are plotted and are compared with the clusters in the preceding section. In addition, we compare the PCA of the rates with the PCA of the counts. Any differences are likely due to the effect of story size. Output 8.7 defines the matrix Poe8rate, which is the input to prcomp0 in output 8.8. The cumulative proportions for the PCA model of the pronoun counts (see output 7.13) are reproduced below.

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If you click the Color Libraries button in the Color Picker dialog box, Photoshop displays the Color Libraries dialog box shown in Figure 4.9. In this dialog box, you can select from a variety of predefined colors by choosing the color family from the Book pop-up menu, moving the slider triangles up and down the color slider to specify a general range of colors, and ultimately, selecting a color from the color list on the left. If you own the swatchbook for a color family, you can locate a specific color by typing its number on the keyboard.

FIGURE 15.12 The red in the eyes is toned down with a Hue Saturation layer. The effects of the layer are completely masked out with the Paint Bucket tool and black paint, and then a small brush is used to paint the effect back in with white only on the whites of the eyes, as shown in the first image. Additional retouching is done with the Patch tool to remove some of the blood vessels, shown in the second image. Be sure to use the cleanest skin you can find for this, so you don t add any texture to the whites.

Select an object or objects on the Stage. Choose Window >Properties. To select a color, click the triangle next to the Fill color box and do one of the following:

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An application s response to the various custom draw notifications controls the custom draw service behavior. Return values can specify how Windows CE completes a particular draw stage. They also can indicate whether or not further custom draw notifications are sent by the control.

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